San Francisco Symphony Blog Outreach: The Experience
Last week, I was one of the few lucky bloggers who were invited by the San Francisco Symphony to their first Blogger’s Night for their “Classical Romance†program. See all the photos from the SF Symphony here.
I’ll post first about the music and follow-up with a review of how the SFS Public Relations team conducted their blog outreach later. So if wish to learn more about my experience as a audience member at the symphony read on, otherwise wait from my follow-up on the PR/marketing perspective.
The Music: James Gaffigan, Gabriela Martinez and Rachmaninoff
First off, I was very surprised how different classical music sounded in an actual symphony hall compared to listening to HD-CD on a high-end stereo. Yes, I know it was going to be different – but not this different. The music was warm and textured with the audience members easily getting carried away with every note, the musical sway of the orchestra, and every turn of James Gaffigan’s (the conductor) baton.
The symphony began with Tchaikovsky’s “Romeo & Juliet†and Strauss’ “Don Juanâ€. Both two very recognizable classical numbers, which sadly has been long abused and overplayed in popular culture. While I enjoyed the aural experience of the music, I wasn’t too fond of the songs themselves because they were so overplayed.

Q&A Session with James Gaffigan (middle) and Gabriela Martinez (right)
Rachmaninoff’s Piano Concerto No. 3 with Gabriela Martinez
The Symphony finished with Rachmaninoff’s Piano Concerto No. 3, known for the demanding technical skill and endurance required on the pianist to perform.
Gabriela Martinez (yes a MySpace link), a 23-year pianist from Venezuela, took to the piano. She recently graduated from Juillard in May and rehearsed Rachmaninoff only once before. Martinez stage presence was incredible as her ability to play; indeed, Rachmaninoff’s concerto sounded like something that required a creature with 3-4 hands and the endurance of a train athlete to perform. During Q&A, Martinez mentioned she drank 4-5 Gatorades before in preparation of performing.
The chemistry between James Gaffigan, the young and spirited conductor, and Martinez was obvious and endearing. Gaffigan and Martinez has a readily apparent chemistry throughout the performance, with both of them casually making eye contact and smiling at each other.
Conclusion: Go check out the Symphony
While I got the tickets free this time around (hurray for blogging), I would love to come back to the Symphony again. Maybe for some Bach violin sonatas or Shostakovich. I don’t know what it’s like at your local symphony, but while I did have the initial apprehensive feeling of “oh no, I’m in a stuffy symphony†– the atmosphere was far more casual than I thought and had none of the Old World pretentiousness that I feared.
Disclosure
Yes, the fine folks at the San Francisco Symphony did give me two free tickets to the Symphony, and the same goes for other bloggers present that night. While blogging about the event was strongly encouraged, there was no demand for us to blog or to blog positively about the experience. Indeed, some bloggers that night gave a mixed review. Also, they gave us free milano cookies. ;)
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[...] I was surprised to find this new post about the San Francisco Symphony blogger event. I guess I was wrong when I said I thought the last of the blogs had appeared. I don’t believe the people we sat next to ever blogged (I believe it was just the man who had a blog, and the woman came along for the ride.), so maybe there will even be more. Who knows? [...]
Hi, there -
I was invited, but wasn’t able to attend this event, because I was out of town last week. Glad you had a good time, and I hope you’ll go to the Symphony again.
I will mention that opera is also pretty darned different in the flesh than on CD.
– Lisa
Iron Tongue of Midnight
Daniel, if all you got out of the evening was just how much better a live performance is than a recorded one, then it was definitely an evening well spent! If you want to choose a concert from the regular season that will drive home that point with a vengeance, I strongly recommend the November 14-17 concerts, when MTT will be conducting the music of Charles Ives> This is the composer I gave as an example on my own blog as having a higher information content than Rachmaninoff:
http://therehearsalstudio.blogspot.com/2007/07/taming-rachmaninoffs-monster.html
There is yet to be a recording process that can do justice to the overwhelming volume of notes in just about any Ives score. The November program will include the NEW ENGLAND HOLIDAYS symphony. This will be my second chance to hear MTT conduct the full cycle, and the first one just blew me away entirely.
Lisa is right, too. There is rarely an adequate substitute to a “live” opera performance, particularly where the sound is involved. Now that the balcony at the War Memorial Opera House has its new video system, you can enjoy the sound and not have to worry about bringing binoculars!
Lisa and Stephen,
Thanks for writing. And Stephen, thanks for the tip, that’s definitely something I’ll do more research on this weekend and see what other bloggers (from the 1st bloggers night) I can get to come along with me!
Lisa,
I spoke to my friend who has seen many a performances in Berlin and she strongly suggested I go to the Opera instead of the Symphony, so this is something that I’d like to check too. But, I have this sense that I need to take a class first to understand all the history and context behind the Opera first – not unlike trying to really appreciate Shakespeare or the Canterbury Tales (Ahh, Highschool reading).
Cheers,
Daniel
Oh, gosh, that’s not the case. All you need is to like beautiful music and great singing.
I’d suggest you get copies of Puccini’s Madam Butterfly – try the recording with Leontyne Price and Richard Tucker – and Mozart’s The Magic Flute – conducted by Oestmann, Abbado, or Sawallisch – and give them a listen.
two girls
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